I'm so damn tired of your disingenuous Twitter apologies

Gregory Paitaki says he is tired of disingenuous Twitter apologies. (Reuters)

Gregory Paitaki says he is tired of disingenuous Twitter apologies. (Reuters)

Whatever your present feelings on free speech, isn’t the greatest touted virtue of Twitter its immediacy and intimacy, offering insight into people’s innermost thoughts as they happen?

We lionise this medium that enables instant revelation and then we abhor it when people do just that – when they tell us what they think, as they think it.

Let’s get real: Do we want honesty and immediacy or not? This comes at a price – human imperfection – and we should get used to it.

Twitter is never going to be a vehicle for fine literature or eloquent debate, nor should it be because we would lose its invaluable essence: contemporary candour.

In a world deluged by political doublespeak, here’s a medium that’s anathema to it – and we should be grateful for it.

After CeeLo Green’s court case late last year, in which the R&B artist and one-time celebrity judge of hit reality show The Voice was convicted for drugging his dinner date, he tweeted that having sex with an unconscious woman could not be considered rape.

Yes, you did mean it

But when he tweet apologised that his comment was taken out of context and that he would never condone harm of any women, I called it bullshit.

And I could because of the intense access Twitter had afforded me. Now, as a very ex-fan, I know exactly what a scumbag like CeeLo Green believes about rape.

(So screw your apology and your tweet delete. And thank you Twitter for the heads up.)

At the ANC’s birthday fundraiser, President Jacob Zuma told guests that all South Africa’s troubles began with Jan van Riebeeck’s colonialism in 1652.

Zelda la Grange, Nelson Mandela’s longtime personal assistant, tweeted in response that Zuma’s remarks made her feel unwelcome as a white person in her own country.

So starts a Twitter furore. La Grange, initially baffled by the backlash, defended herself to the Twittersphere.

Eventually, worn down by the online frenzy, she relented, offering the inexorable and obligatory Twitter apology: I didn’t mean that.

Yes, you did. Just like CeeLo Green did.

I don’t think La Grange was wrong to say what she did. I don’t think she made a mistake by saying it. And I certainly don’t believe, for a second, that she now suddenly no longer feels what she tweeted that day.

In a world full of political spin and duplicity, just when did we become so damn ungrateful for the truth anyway?

CeeLo Green’s Twitter lesson:

  • Don’t tweet what you really believe, or
  • Oops, it’s actually not okay to have sex with an unconscious woman.

I’m hoping for the latter, but knowing what we do about human nature, I’m not optimistic.

The public’s lesson from La Grange’s tweets:

  • How dare she tweet what she really feels, or
  • Let’s consider what she said, what she meant, why she said it and what it reveals about broader South African society; let’s discuss race, colonialism, privilege, redress, guilt and justice – openly and honestly?

The plain fact is: Twitter’s free speech is good for all of us. We shouldn’t be deprived of CeeLo Green’s shocking ignorance or La Grange’s shocking confession – the truth is too important for that.

As for Max du Preez, thank God there’s someone who still knows what an apology’s really for: when you’re wrong. And you know it. And you mean it.

Du Preez wrote a newspaper column, quoting a Supreme Court of Appeal judge saying Zuma had a corrupt ­relationship with his financial adviser, for which the newspaper subsequently apologised.

Du Preez meant exactly what he said. He wasn’t wrong. And he knew it. So he refused to apologise and resigned instead.

And that’s why, when Du Preez does get it wrong – and he will, being human – and when he realises it as an ethical person, he will apologise.

And it will actually mean something, unlike the ubiquitous, tactical and disingenuous modern trend that is the Twitter apology.

Gregory Paitaki is a PhD candidate in media studies at the University of Cape Town and is researching political cartoons in South Africa. Contact him with your candour at [email protected]



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