The spectacle of a Spielbergian scenario with a hero and happy ending delighted TV viewers.
When a painter is called upon to twist a tryst ‘twixt cardinal and mistress into art, comic erotica ensues.
A false rumour about the new owner of a Picasso painting leads Christianity to go haywire.
Prince Harry’s image of a Lesotho herdsman is as arrogant as any colonial-era portrait, writes Jonathan Jones.
If compared by size, an 1856 stamp that is to be sold at a New York auction is more valuable than any art ever under the hammer.
Russia's Pyotr Pavlensky's nailing of his scrotum to Red Square isn't as unique as you might think: some have done much more in the name of art.
Exhibitions of works by artists from Sudan and Benin have reflected a step change towards Tate's more globalised view of modern art.
The giants of US art are backing Barack Obama for president. But then, writes Jonathan Jones, America's artists have always leaned left.
Afghan incident shows it is no longer surprising that violence and cruelty are self-documented, writes Jonathan Jones.
One of the best things about the film Tintin is the return of the intrepid reporter.