Directed by acclaimed theatre-maker Sylvaine Strike, Molière’s deliciously mean comedy, The Miser (1668), humorously magnifies the madness of a father’s greed, paranoia and suspicion.
The group exhibition The Benediction of Shade uses the tree as an icon and depicts natural and human realms that are in constant, luminous conversation.
Considered one of the better country life food festivals in the Western Cape, the Riebeek Valley Olive Festival revolves around the olive — the oil, the fruit and tapenades.
A South African original, Gert Vlok Nel has developed a powerful poetic phrasing that can accommodate both popular culture and art, the historic and the deeply personal.
Invoking critical questions about violence, femininity and desire, as well as the mass cultural corporatisation of the female body, Belinda Blignaut’s new exhibition Blown is a collage made from shrapnel, snapshots and fractured memories in a range of media.
Actors Elliot, Stanley and Melvin are struggling to hold on to their remaining dignity while dressed as oversized teddy bears entertaining small children in a shopping mall.
Set in the confined space of prison life, Tertius Kapp’s searing Rooi-land tells the stories of prison gang members as they struggle for private space in a cramped cell.
The Shining Girls by renowned author Lauren Beukes is a genre-busting thriller that takes the reader into the minds and hearts of its protagonists, evoking the possibility that evil is everywhere.
Ian von Memerty and Jonathan Roxmouth return yet again in A Handful of Keys with their two grand pianos to give a dazzling display of pianistic virtuosity and hilarious impersonations.
