Jacques Audiard has cemented his place as the premier contemporary French director by winning the Palme d'Or for his seventh feature.
We look at the eight South African films that are hoping to make a mark at the 2015 Cannes Film Festival.
Since the 1960s there has always been plenty of flesh at Cannes. As the red carpet is rolled out, Peter Bradshaw awards his own Palme Phwoar.
George Miller's post-apocalyptic classic has ended up defining a new, quirkier alternative to the Hollywood mainstream.
The reality competition show once regularly pulled in more than 30m viewers an episode but struggled to crack 10m in its most recent season.
Can the mostly male-directed films in the 'A Woman's World' film festival truly capture the female voice?
A Tumblr featuring stories from women, and even men, about what females face in the film industry offers a starting point to deal with gender bias.
Racial stereotypes and political correctness are put under the microscope in the film, "Dear White People".
Up-and-coming local filmmakers will showcase their short films in cinemas across the country in the months of April and May.
A new biopic examines the life of the tortured grunge king and the clash of ordinariness and iconicity.
The next Spike Lee joint needs to do more than add to the growing list of reductive and voyeuristic features and documentaries about the tough city.
Having swapped tennis playing for the bright lights of stage and screen, Stelio Savante is making critical waves in Tinseltown.
Filmmaker has written nine new episodes with original co-creator Mark Frost, but says ‘not enough money was offered’ to do script justice
Cinderella is constructed as a fable that’s evergreen-familiar but slightly modernised and much more English in tone than the animated original.
Masterful film allegorises the unfulfilled promise of the 60s as it unravels in the harsh reality of the 70s.
Roger Moore has denied making racist comments about Idris Elba’s chances of replacing Daniel Craig as James Bond.
The new South African host of an American satirical show is garnering both proud and fittingly hilarious tweets in response to his new appointment.
First '24', then 'Twin Peaks' and now 'The X-Files': why bring old shows back from the dead?
The lack of laughs, expositional dialogue and dull cinematography mar top satirist’s Iranian jail drama.