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Turning hip-hop on its head

Iain Ewok Robinson's one man show, Seriously?, breaks the mould and gives an honest glimpse behind the pretense of hip-hop.

Silent witnesses

In Benchmarks the theme of xenophobia is tackled, but with an unsophisticated and paternalistic approach to this scourge.

Allowing the mind to wallow

At the National Arts festival, the blur of deadlines, interviews, shows and discussions leaves little time for considerate reflection.

A very different world

In Grahamstown the Madeline cake tastes like red wine and cigarettes. But a student past that began in 1994 jars with the present.

Murky methods

In Modus Vivendi one sees a complex link between “legitimate” business and the underworld, suppressed desire and failed marriages.

Losing his religion?

A solo performance in Grahamstown left some wondering if Tree63 frontman John Ellis could ever distance himself from his Christian rock past.

Suffering in purgatory

Purgatorio is as difficult to perform as it is to watch.

The sound in the here and now

British rapper and saxophonist Soweto Kinch joined a host of prodigious jazz talents for an unforgettable night in Grahamstown.

Exchanging one sorrow for another

The frontline of journalism is a dangerous trench, where putting one's health and sobriety on the line is an occupational hazard.

The economics of art

Why a visit to the Grahamstown National Arts Festival is an investment.