Mystery of the waves
Otelo Burning is a good example of an emerging genre in SA cinema: that of stories attempting to fit together the personal and the political.
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Stories in the Rue Morgue
Two thrill-offering movies are being released this week, but they are being marketed in very different ways.
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Gently swimming upstream
After Chocolat, What's Eating Gilbert Grape? and The Cider House Rules, Lasse Hallström moves on to the fish course.
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My, what big eyes you have
Months before the release of The Grey, this newspaper had already received a message from some lupine anti-defamation league.
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How not to grow up
Young Adult and The Hunger Games both explore the uncomfortable space between youth and maturity.
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'Scuse me while I kiss this pie
It is now 13 years since American Pie, and all those virginities are well and truly lost.
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Gods on the run
Wrath of the Titans features silliness and predictability in epic proportions, writes Shaun de Waal.
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Christopher and the Berlin boys
Christopher and His Kind is the adaptation of the autobiography by Christopher Isherwood.
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Gender bender unsettles and affects
Glenn Close has been trying to get a film of Albert Nobbs, George Moore's novella set in the 1800s, off the ground since 1982.
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Blood on the sofa
At its best, Carnage is a spiky satire on contemporary bourgeois correctness; at its worst, it;s a strained piece of upscale dinner theatre.
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