Roelof Louw shows a series of screen prints that draw on classic Pop Art strategies to explore contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/ information culture.
- Taking its title from Beat Generation author, William S. Burroughs’ classic novel, Naked Lunch, the exhibition employs the “cut-up” technique to mirrored the workings of our advertising drunk, junkie consumer brains. Commercial icons like cowboys, cigarettes, crisply laundered white shirts, champagne bottles and luxury-liners are inter-cut with images of cultural and political figures such as Burroughs, Grace Jones, Herman Goering and more, to create what Louw describes as, ‘beautiful visual aphorisms of desire and despair.” Louw, whose work is included in the permanent collections of London’s Tate Gallery, the Victoria and Albert Museum, and the Henry Moore Institute in Leeds, has exhibited extensively worldwide and at various galleries throughout South Africa.
34FineArt, Second Floor Hills Building, Buchanan Square, 160 Sir Lowry Road, Woodstock. Until April 23.
Cape Town City Hall, Opposite the Grand Parade, Darling Street, March 24 to 26. Visit http://toffiepop.blogspot.com for the full programme and tickets.