Shaun De Waal

Shaun de Waal has worked at the Mail & Guardian since 1989. He was literary editor from 1991 to 2006 and chief film critic for 15 years. He is now editor-at-large. Recent publications include Exposure: Queer Fiction, 25 Years of the Mail & Guardian and Not the Movie of the Week.

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/ 14 May 2004

Hellish humour

One of the Conrad Botes’s works has Jesus, the "Good Shepherd", bringing home the lost sheep of the flock — except the sheep is a giant phallus. Botes’s first solo show in Johannesburg is as provocative as ever. He spoke to Shaun de Waal.

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/ 7 May 2004

Tooth for a tooth

BIG-BUDGET MOVIE OF THE WEEK: Monster action film Van Helsing may be the ultimate pastiche movie. Not only does it borrow liberally from a thousand other movies, it is also largely made up of computer-generated imagery or CGI, meaning that, at the most fundamental level, practically every shot is patched together. Shaun de Waal takes a look.

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/ 23 April 2004

Movie love

MOVIE OF THE WEEK:
With his new movie, veteran Italian director Bernardo Bertolucci returns to the city he used in Last Tango in Paris (1972). But where that film staged a sexual tragedy of despair, The Dreamers investigates a youthful, innocently decadent sexuality that could stand at the start of the sort of tale that ends with the desperation and disgust of Last Tango in Paris. Shaun de Waal reviews.

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/ 23 April 2004

A dog eat dog affair

The succession struggle within Zimbabwe’s ruling Zanu-PF has resurfaced with increased intensity amid speculation that President Robert Mugabe will announce his retirement at the party’s crucial congress in December.

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/ 16 April 2004

Female trouble

NOT QUITE THE MOVIE OF THE WEEK: American playwright/writer/ director Neil LaBute’s <i>The Shape of Things</i> reshuffles his familiar themes, except this time he’s out to prove that women can be as manipulative as men. Shaun de Waal reviews.

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/ 26 March 2004

Ticket to heaven

Mel Gibson’s Jesus movie, <i>The Passion of the Christ</i>, is stirring up, ahem, passions all over. But, more than anything, it demonstrates the way communal myths can be reworked again and again. Gibson’s version is just the most single-mindedly gory and reactionary to date, writes Shaun de Waal.

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/ 19 March 2004

Fishy fables

MOVIE OF THE WEEK: I walked out of Tim Burton’s new movie, <i>Big Fish</i>, feeling a little lighter. This is a boon not to be gainsaid in these days of <i>Monster</i>, the remake of <i>The Texas Chainsaw Massacre</i> and, God help us, <i>The Passion of the Christ</i>, writes Shaun de Waal.

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/ 12 March 2004

Latin flavours

This year, in celebration of its 10th anniversary, the Out in Africa film festival combines new releases with old favourites. It also has, this year, a distinctly Latin flavour. Shaun de Waal takes a look.

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/ 12 March 2004

Pieces of family

MOVIE OF THE WEEK: Written by screenwriter Peter Hedges of About a Boy and What’s Eating Gilbert Grape? fame, Pieces of April is sparky and spiky and, like April’s eyes, a little black around the edges. Shaun de Waal reviews.