Staff Reporter
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/ 17 November 1995

Investor lets go of Free to Air

Worldwide African Investment Holdings has withdrawn its Free-to-Air shareholding to pursue satellite interests, writes Niel Bierbaum WISEMAN NKUHLU’S Worldwide African Investment Holdings has given notice that it intends to withdraw as a shareholder from Quentin Green’s Free-to-Air consortium. According to spokesman Joe Makobe, WWAIH intends to pursue direct-to-home satellite opportunities “rather than waiting for terrestrial […]

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/ 17 November 1995

Right wing passes the city hall test

Jan Taljaard IF attendance figures at the Pretoria City Hall are an indication, then the Afrikaner Weerstandsbeweging is making a comeback in Gauteng. On Monday night AWB leader Eugene Terre’Blanche claimed the biggest crowd to attend a political meeting at the hall during the past two years. After being devastated by events before the 1994 […]

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/ 17 November 1995

SANDF refuses to disclose MI details

Louise Flanagan THE South African National Defence Force (SANDF) has refused to disclose details of any links between Military Intelligence (MI) and individuals in a private security company accused of running a destabilisation campaign against the National Union of Metalworkers of South Africa (Numsa). This raises the possibility that MI may still have well-hidden links […]

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/ 17 November 1995

M Net vows to keep its share of ad spend

Niel Bierbaum M-NET has refuted claims by the SABC that it earns 70 percent of its advertising revenue during its unencrypted open window. According to Clare O’Neil, manager of strategic planning and research at Oracle Airtime Sales, which sells advertising on behalf of M-Net, the pay station has “never earned R430-million of advertising revenue in […]

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/ 17 November 1995

Cyber fascists on the march

Fascist groups are using the information superhighway to spread the word of Aryan supremacy, reports Bruce Cohen NEO-NAZIS and racists are spinning a busy web of hate on the Internet. Previously limited to private bulletin boards, a number of these sites have emerged on the World Wide Web, offering a chilling and fascinating insight into […]

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/ 17 November 1995

New image for the UIF

Rowan Callaghan THE Unemployment Insurance Fund (UIF), which has helped over half-a-million people and paid out over R1-billion so far this year, is to begin improving its service immediately. The steps are the first in a range of changes it will introduce to improve its public image. The Department of Labour reports that so far […]

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/ 17 November 1995

Constructing concrete partnerships for the rainbow nation

Symbiotic relationships between established and emerging enterprises are paths to solidifying black identity, reports Meshack Mabogoane VISTAS of low-cost housing and other public works projects, coupled with elaborate affirmative action measures formulated by government, are cementing relationships between established (largely white) and emerging (mainly black) enterprises. The construction industry is on its way to becoming […]

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/ 17 November 1995

WEB FEET Notes from the Internet

Bruce Cohen Way of the dodo THE great guru of electronic media, Roger Fiddler, has sentenced Anton Harber to 10 more years. Fiddler, speaking at a recent conference in Bali, forecast the end of print journalism by the year 2005 and its replacement with electronic “tablets” and other digital media. He says the superior economics […]

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/ 17 November 1995

Offices on the move

With the advent of portable office technology one need never be away from work, reports Leon Perlman NOW that global system’s mobile (GSM) cellular telephony has firmly entrenched itself as a pivotal business productivity tool, a new breed of Virtual Office workers using “Portable Office” technology is beginning to emerge. These “offices” typically consist of […]

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/ 17 November 1995

Krotoa rearranges the Castle furniture

FINE ART: James Garner KROTOA’S Room — in the Grain Cellar at the Castle, Cape Town — will confound anyone with a penchant for reductive categorisations. Consisting of a photographic component by Lien Botha and “utility furniture” by Raymond Smith, the exhibition operates somewhere in the undefined territory between historical display, site-specific installation and commercial […]