In his searching new novel, Martin Amis interweaves a Holocaust organisational black comedy with the agonising story of a conflicted prisoner.
Helen Oyeyemi has a determination to explore what happens when we have to operate without a stable sense of ourselves or those around us.
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/ 28 November 2001
Most writers might prefer their works to stand in for biography in the messy stand-off with posterity; fat chance in a culture obsessed with not only retrieving the facts of who did what to whom, but teasing out the secret, unacknowledged meanings of each action.