Dianne Tipping Woods

Through dance and "a theatre of the body", Peter Sabbagha — winner of the Standard Bank Young Artist of the year for Dance — examines the experience of homosexuality within the SANDF during the apartheid era, and links this to the current social crisis around our inability to deal with HIV/Aids. Dianne Tipping-Woods reports.

Buckland describes the structure of his new comedy, <i>The Scorpion</i>, as "kind of grotesque and slightly farcical". Loosely based on <i>The Government Inspector</i> by the Russian writer, Gogol, the plot both stings and entertains, writes Dianne Tipping-Woods.

A unique collaboration between choreographer Juanita Finestone-Praeg and Brett Kebble award winner Tanya Poole, physical theatre piece <i>37 Degrees of Fear</i> explores how violence affects women. Dianne Tipping-Woods reports.

Dianne Tipping-Woods speaks to the talented Justin Dingwall, whose photo exhibition <i>Potraying Life</i> is on at the Imaging Hub Photographic Studio in Pretoria.

By mixing sunlight with imagination the students from the Ningizimu School for children with mental handicaps have created magic, finding treasure in the rubbish and debris of daily life, writes Dianne Tipping-Woods.

150 women from the Eastern Cape have taken the fabric of their daily lives and woven a tapestry of hope that dominates the quiet interior of the Grahamstown Cathedral, writes Dianne Tipping-Woods.

Winner of the Standard Bank Young Artist of the Year, Wim Botha draws on iconic and venerated images from art and religion over the ages, writes Dianne Tipping-Woods.