The interior world of the dancer arrived on stage at this year’s FNB Dance Umbrella, reports Matthew Krouse.

If the opinion at a recent conference on marketing in the arts is anything to go by, we are in for a honeymoon period of increased corporate backing of the arts, writes Matthew Krouse.

Baroness Coral von Reefenhausen, arguably South Africa’s reigning drag queen, chats to Matthew Krouse.

South Africa’s favourite edutainment series returns and is sadder than ever, writes Matthew Krouse.

If the 2003 edition of the National Arts Festival has been about anything, it has been a grand-scale meditation on the subject of home, writes Matthew Krouse.

By using non-performers and video art, local dance is making inroads into real life. It has something to do with the way contemporary South African choreographers construct their stories, writes Matthew Krouse who attended the New Dance festival this weekend past.

Simm’s new production <i>Fourplay</i> makes some relevant observations about gay South African men across the generations – the younger ones take things for granted while the older understand that freedom of expression is something of a privilege, writes Matthew Krouse.

Dance anthropologist, choreographer and the founder of the <i>Moving into Dance Mophatong</i> project, Sylvia “Magogo” Glasser is something of a human monument in the local dance scene. That’s probably why her students have crowned her “granny”, writes Matthew Krouse.