Mpho Moshe Matheolane reflects on Kannemeyer’s new show, which offers gentle, contemplative work, rather than the artist’s usual satirical attacks.
Using art as a nation-building tool? South Africans first need to address the way they speak to one another, argues Mpho Moshe Matheolane.
Brett Murray’s artwork has brought into sharp focus the issue of black people’s representation at the hands of whites, writes Mpho Moshe Matheolane.
Pretoria has been labelled the not-so-interesting city in Gauteng. Mpho Moshe Matheolane wishes it would awaken from its cultural slumber.
To describe Johannesburg as a melting pot of different cultures would not be too inaccurate a statement to make.
Portia Malatjie (26) insists that she never envisaged herself as a curator.
When we speak of violations against the body, what comes to mind if not rape, murder and brutality?
<em>Exit/Exist</em> is based on the life of the legendary Xhosa chief, Maqoma, who played a crucial role in the frontier wars in the Eastern Cape.