Zanele Muholi’s images of the lesbian, transgender and gay community have been chosen for a prestigious exhibition.
When the Goodman Gallery put up The Spear, South Africa was driven into warring camps. One of the voices that strained to be heard was Unathi Kondile.
Percy Zvomuya witnesses a remarkable but everyday incident on the streets of downtown Johannesburg.
It is red, yellow and blue — and set to add a splash of colour to Johannesburg’s performing arts scene.
If Imraan Coovadia’s work was a computer operating system, we would call it open source — it is so open in its imagination of another world.
In his inaugural Street Views column Percy Zvomuya offers a short and poignant portrait of a high-brow beggar.
The festival has come from Frankfurt via Mali and deals with migration through a focus on movement
at its most basic level.
<i>Abnormal Loads</i> is set in that quintessentially tragic South African place in which the personal and the national intersect.
That a book about his life has just won a Pulitzer is surely proof that Malcolm X’s redemption in mainstream America is near complete.
<b>Percy Zvomuya</b> examines a book that comes to some surprising conclusions about the country’s so-called farm invasions.