<b>Sukasha Singh</b> gets in touch with her inner crash test dummy in the newly upgraded Honda Accord.
Oliver Hermanus’s film <i>Skoonheid</i> is raking in the prizes, whether in Cannes or, last weekend, at the Durban International Film Festival.
What an odd movie <i>The Beaver</i> is. Not just that title, in which most Americans would hear the echo of porno-slang, but also its very idea.
The DIFF has gone from a smallish university-based festival to something that seems to bestride Durban like a colossus.
Eric Hobsbawm retraces the development of communist theory.
<i>Win Win</i> proves that a quirky approach does not necessarily save a film from irritating banality.
Two new books examine the consequences of battles, both physical and ideological.
<i>Green Lantern</i> features a host of old clichés, has a weak story, and doesn’t look terribly good either.
This month sees the publication of a selection of Shaun de Waal’s movie reviews.. Here he writes about the business of film criticism.
If the technology in <i>Source Code</i> is anything to go by, you, too, could be possessed by Jake Gyllenhaal in the near future.