The pitch on Jillian Lochner is this: she’s a fashion photographer who also takes art photographs, and those art photographs rather question the values of fashion photography, writes Shaun de Waal.
<b>Movie of the week</b>
<i>Bulletproof Monk</i> is a finely tuned spoof of martial action movies, writes Shaun de Waal.
<b>Not quite the movie of the week: </b> <i>Charlie’s Angels: Full Throttle</i> suffers from sequel syndrome, writes Shaun de Waal.
<b>NOT THE MOVIE OF THE WEEK: </b>The new Bruce Willis vehicle, <i>Tears of the Sun</i>, is so bad and so offensive that it doesn’t deserve a review, writes Shaun de Waal.
Movie of the week: LIE</b> tells a complex story about complicated people in an artfully simple way, allowing the viewer space to fill in the gaps, writes Shaun de Waal.
Saliem Fakir, director of IUCN-South Africa Office, debates the chances of the World Summit succeeding – particularly after the failures at Bali.
Kendell Geers’s new show is about security, violence and pornography. Matthew Krouse and Shaun de Waal ask him some tough questions
Most eagerly awaited release:</b> Film fans are panting to see the futuristic fantasy <i>The Matrix Reloaded</i>. But, asks Shaun de Waal, what is it all really about?
Not the art movie of the week:</b> <em>The Rules of Attraction</em> is like having some bar-room bore telling you, at great length, about his sexual adventures and drug-related mishaps, writes Shaun de Waal.
<b>Movie of the week:</b> In a series of short but telling scenes, <i>Pollock</i> shows how Jackson Pollock’s turbulent life and art intertwine, writes Shaun de Waal.