In his latest body of work, Johnathan Schultz trades spectacle for soul, reimagining gold as a vessel for memory, resilience and identity
In war-torn Sarajevo, desire collides with brutality in a play that refuses resolution or easy moral comfort
Her exhibition, ‘I Give Rocks’, rejects clean lines, is striking in its austerity and functional objects are rendered dysfunctional
Refusing to simplify reality for the sake of clarity, the artist’s approach runs against dominant dogmatic culture