Filmmaker Vincent Moloi hopes to raise the profile of reparation with ‘Skulls of My People’.
Two photographers view the township in ways that avoid crass politicisation of the March 21 1960 massacre.
The noise around the notorious Saxonwold shebeen stirs nostalgia for beer halls serving longtoms in the leafy ’burbs, now replaced by ‘pop-up’ bars
Decolonising the spaces that exhibit writers in the country is just as important as decolonising content
And the organisers are promoting quality over quantity at this year’s fest.
Things that signify value include faces on notes to the currency of a social media following, and a return to the barter system
Loan sharks prop up more wealthy people who live beyond their means and ‘help out’ the poor
Botsotsos and Gusheshes are yet to shed their associations with hypermasculinity but a new generation of women are wrestling for the wheel
The Goodman Gallery’s second edition of ‘South-South’ floods the senses when it comes to scale.
Artists are delving more into exploration of how proximity, reworkings of style and even colour influence their work.