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Zandile Tshabalala

Nomaza Nongqunga Coupez shines the artists’ light in France
Friday
/ 6 May 2022

Nomaza Nongqunga Coupez shines the artists’ light in France

A residency started by South Africans in the south of France supports Africa’s women artists

By Palesa Segomotso Motsumi
The current infatuation with portraiture has colonial roots
Friday
/ 2 March 2022

The current infatuation with portraiture has colonial roots

However, contemporary artists such as Cinga Samson, Zanele Muholi and Mohau Modisakeng found a liberating ally in self-portraiture

By Percy Mabandu
Black Luminosity foregrounded visibility as an act of refusal
Friday
/ 11 June 2021

Black Luminosity foregrounded visibility as an act of refusal

The group exhibition at SMAC gallery, curated by Gcotyelwa Mashiqa, revisited the chromatic and social properties of blackness in contemporary South African visual art

By Athi Mongezeleli Joja
Reward outweighs the risk for artists daring to go it alone
Friday
/ 13 March 2021

Reward outweighs the risk for artists daring to go it alone

The success of galleries owned and run by the artists themselves has led to a re-examination of the business of art

By Mary Corrigall
R2K, SOS write to SABC board over national key point ‘threat’
Article
/ 14 April 2014

R2K, SOS write to SABC board over national key point ‘threat’

R2K and SOS have written to SABC board chair Zandile Tshabalala to ask her whether she invoked the National Key Points Act as a warning to staff.

By Glynnis Underhill
CFO Duda has been summarily dismissed, says SABC
Article
/ 21 March 2014

CFO Duda has been summarily dismissed, says SABC

The national broadcaster has confirmed reports of the dismissal of Gugu Duda, who was suspended in 2012 in connection with financial irregularities.

By Staff Reporter
Carrim vetoes SABC board’s nomination
Article
/ 6 March 2014

Carrim vetoes SABC board’s nomination

The communications minister has nipped in the bud a bid by the board to have Zandile Tshabalala take the top job at the troubled broadcaster.

By Glynnis Underhill

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