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Carlos Amato

Carlos Amato: Tutu took love to its limits

Opinion -
As the confessor-in-chief of South Africa’s transition to democracy, the archbishop upheld a vision of political justice rooted in atonement and empathy, rather than action and accountability

Screen Grab: Try the snake linguini in ‘Succession’

Friday -
HBO’s ‘Succession’ is back, at last — and as bitterly gripping as ever

The European Film Festival hits South African screens

Friday -
The free online festival, opening today, projects a complex mosaic of a continent under stress

Screen Grab: A demon of tedium stalks the ‘Midnight Mass’

Friday -
Mike Flanagan’s Netflix horror series might make you scream for the wrong reason: its heroes are haunted by self-help bollocks

Screen Grab: An eastern western, way down South

Friday -
In the acclaimed ‘Minari’, now streaming on Showmax, a Korean family start farming and fuming in the Ozarks

Screen Grab: ‘Inhuman Resources’ — Cantona hits dark places with his collar up

Friday -
In 'Inhuman Resources', the former footballer switches off his roguish charm, to gripping effect

Screen Grab: In the land of the lotus eaters

Friday -
Hawaii hotel drama ‘The White Lotus’ is a shade warmer than ‘Succession’ in its assault on American privilege — but it carries a riptide of savage wit.

Screengrab: ‘Wesens’ has the final weird

Friday -
In the Afrikaans sci-fi gem on Showmax, found footage reveals an inexplicable object in the Karoo

Screen Grab: A big sting in the small tale of Undercover’s confined setting

Friday -
The Dutch-Belgian crime thriller, set on a campsite, makes the most of its confined setting

Screen Grab: Where were Messi’s friends when the chips were down?

Friday -
From Leo to Rassie to Mourinho, the art of the endorsement commercial is in laughably bad shape

Screen Grab: Istanbul’s eye

Friday -
The Netflix drama ‘Ethos’ lays bare the divided soul of contemporary Turkey

Screen Grab: The devil is in the retail in Krugersdorp

Friday -
In the true crime docuseries “Devilsdorp”, Cecilia Steyn emerges as an entrepreneur of depravity who monetised white South Africa’s legacy of moral panic about Satanism
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