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/ 10 December 2010
Looking at Khaya Mahlangu’s career, heading up an orchestra is a natural progression.
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/ 18 November 2010
Gwen Ansell voyages from a city of mysterious sentient mushrooms to a war going on among the Culture worlds.
New influences are constantly developing the genre and debunking its role as ‘tribal’ music
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/ 19 October 2010
<strong>Gwen Ansell</strong> reviews <i>Wolfsange</i>, <i>The Fuller Memorandum</i> and <i>Wireless</i>
Ethiopian musician Mulatu Astatke believes the continent’s musical influence goes beyond mere rhythm.
The apparent lack of any African music history archive documenting antecedents and ownership positively invites the pirates in.
Philip Miller and Jill Richards engage in a series of sonic meditations on playing the piano.
Subverting stereotype and singing like a songbird, Melanie Scholtz’s work makes just enough accommodations to stay marketable.
<b>Gwen Ansell</b> reviews three of the latest releases in the science fiction and fantasy genre.
South African composer hits a high note on the world’s toughest stage.