Refiguring ugogo as a critical figure in the making of Black [visual] archives
Through her praxis, Kholeka Shange interrogates the marginalisation of African languages in the academy
The official historiography of Princess Magogo misses the nuances and influences of the many women in her life
J Bobs masterfully dismantles the highbrow/lowbrow binary in his theatre-making practice
Reimagining image making through concepts found in isiZulu