The Sex Actually festival brings youngsters closer to the real issues they engage with daily, and nightly.
Norman Catherine’s introspective works leave room to wonder about the artist’s state of mind in the current South Africa.
Simon Stone’s works, often containing juxtapositions of seemingly unrelated images, resist easy ?interpretation by the viewer – and by the artist.
Arts and Culture Trust conference contributor Bev Gillespie explains that it is artists themselves who will decide how much creativity is worth.
SA artists have used the figure of Nelson Mandela as their muse and metaphor, depicting the many sides of the man people believe they know well.
Award-winning artist Mongezi Ncaphayi draws his audience in, hooking them in to a deeper reflection.
The Absa L’Atelier Awards are highly prized by young artists who may not have the resource to go abroad.
The musical performance that is "Credo" is a sweeping, uplifting declaration of how South Africans would like the country to be.
The weird and the wonderful were on display in Grahamstown but there’s a new world coming, and it’s to be found at the event’s fringe.
It’s something of a shock arriving in Grahamstown at festival-time, writes Matthew Krouse.