Steven Soderbergh’s ‘Magic Mike’ somehow looks like a much darker and more challenging movie than is actually the case.
Five years after the ropey Spider-Man III crawled out of the multiplex plughole, starring a jaded Tobey Maguire, the reset button has been pressed.
The Dictator is set to make Peter Sellers’s Inspector Clouseau a model of subtlety and sensitivity.
Director Andrea Arnold and cinematographer Robbie Ryan strip Emily Bront’s only novel down to its bare essentials: pain, anger and love.
In 2010 Iranian filmmakers Jafar Panahi and Mohammad Rasoulof were sentenced to six years in prison for alleged crimes against national security.
At its best, <em>Carnage </em>is a spiky satire on contemporary bourgeois correctness; at its worst, it;s a strained piece of upscale dinner theatre.
<i>The Artist</i> has to be the first film that has left <b>Peter Bradshaw</b> weeping tears of joy.
<em>Rampart</em> is a gripping movie, and a great addition to the Ellroy canon.
Poor Margaret Thatcher: her transformation into biopic drag queen is now complete.
Can bad children happen to good parents, or do they reveal their parents’ flaws? This is the question raised in <i>We Need to Talk about Kevin</i>.