Creator
Guest Author
<i>Love and Green Onions</i> is a rich musical feast enlivened by great performances and some fine, infectious songs, writes Guy Willoughby.
Now in its fifth year, this hugely successful funny-folk festival has made marvellous strides, writes Guy Willoughby.
Accompanied by a group of unsung folk musicians, David Kramer has gone back to his roots, writes Guy Willoughby.
Athol Fugard’s <i>Valley Song</i> has been set to music by composer Thomas Rajna, writes Guy Willoughby, the instigator of the project.
Peter Hayes’s one-man drama The Fence takes a look at a famous gay hate murder in the United States, writes Guy Willoughby.
Not even New Age clichés have put a damper on the opera season of the Spier Summer Arts Festival, writes Guy Willoughby.
Has physical theatre given our performing arts a well-deserved kick in the pants? Or is it merely an exercise in self-indulgence, asks Guy Willoughby.
Nelson Mandela’s favourite tales come alive on stage, thanks to Janice Honeyman’s obsessive inclinations, writes Guy Willoughby.
Cape Town’s Winchester Mansions Hotel offers guests the opportunity to experience first-rate service in opulent surroundings – all within a stone’s throw of the bustling V&A…
<i>At Her Feet</i> is a brilliant, precocious theatrical achievement — that doesn’t know when to stop, writes Guy Willoughby.
Opera in South Africa — and in Cape Town in particular — stands at a critical but exciting crossroads, writes . As Cape Town Opera CEO Angelo Gobbato recently remarked, with…
Athol Fugard’s plays have tackled every hidden corner of life under the grossest of sociopolitical orders, creating as he went a record of inestimable value, writes Guy Willoughby.
