Creator
The ‘resurrection’ of a woman executed in 1650 raises puzzles of identity and continuity.
William Kentridge’s production of <em>The Nose</em> at the New York Metropolitan Opera is an exploration of the operatic form itself.
Jane Taylor’s acceptance speech for the Olive Schreiner Prize for Prose asserts the moral function of detective fiction.
DISGRACE by JM Coetzee (Secker & Warburg)
