Creator
Jane Taylor
Twixt the virtual and substantial
The ‘resurrection’ of a woman executed in 1650 raises puzzles of identity and continuity.
Kentridge for beginners
William Kentridge’s production of <em>The Nose</em> at the New York Metropolitan Opera is an exploration of the operatic form itself.
An olive branch
Jane Taylor’s acceptance speech for the Olive Schreiner Prize for Prose asserts the moral function of detective fiction.
The impossibility of ethical action
DISGRACE by JM Coetzee (Secker & Warburg)