Miles Keylock

Kesivan and the Lights’ ­new ­album is a ­signature ­moment in the history of South African jazz.

Dissonant, dissident wordsmith Lesego ?Rampolokeng waxes poetic about the new ?oppression in his debut documentary film, ‘Word Down the Line’.

Has the role of music journalist been relegated ?to being simply a punter of product?

When Die Antwoord’s "Enter the Ninja" video went viral, SA should’ve been ecstatic. But they ended up being our worst nightmare, writes Miles Keylock.

In the 15 years since its staging, the second and last Johannesburg Biennale has obtained almost mythical status.

Clap Your Hands Say Yeah and The Brother Moves On rock Cape Town this weekend.

Lisa Brice is a consummate poet of the unseen.

Blaq Pearl is one of Cape Town’s most versatile artists.

Race continues to dominate politics in the Cape and is the context for the group exhibition <em>Ingekleur: Outside the Lines</em>.

The grapes are in and it is time for the annual Franschhoek ­Oesfees at Solms-Delta wine estate.

Esther Mahlangu needs no introduction. Her new retrospective exhibition seeks to extend her legacy.

His voice might be his calling card, but Vusi Mahlasela’s greatest gift is his ability to cut across geographical, cultural and generational divides.

In the second half of photographer Guy Tillim’s <em>Second Nature</em> project he continues the exploration into landscapes.

A Taste of Sónar music festival features a mix of artists loosely assembled for their innovations in electronic music.

The group exhibition <em>Outside The Lines</em> attempts to expand the framework of abstraction beyond its formal perimeters.