Anthea Buys

The South African artist’s new film about a rape challenges the curators and concepts of art

It is not surprising that so many Capetonians were distraught about the collapse of the Athlone Power Station’s two cooling towers in 2010.

A new collaboration sees a handful of fine artists joining up with local designers to create unique designer objects.

Anthea Buys was surprised that only two audience members walked out of the opening performance of Steven Cohen’s Cradle of Humankind.

Mikhael Subotzky’s new film brings the personal lives of Grahamstown’s resident tour guides into the settler discourse.

Riding a bicycle as a simpler, more efficient way to travel? Not in Cape Town, writes Anthea Buys.

A Norwegian artists’ collective will be invading the streets of Braamfontein.

Seldom do local commercial galleries rummage through their storerooms to put on exhibitions.

Donna Kukama positions her works as embodiements of intersubjective difference.

Seldom do exhibitions curated as a footnote to conferences stimulate any more interest than the conferences themselves do.

Brothers Humberto and Fernando Campana, who make up the industrial design duo Estúdio Campana, have an eye for junk.

As an accompaniment to a conference titled Space, Ritual Absence, which takes place at FADA from March 9 – 11, the FADA gallery hosts an exhibition by the same name.

Tracy Rose’s Waiting for God Rose goes far beyond mere provocation.

Parts of the Keleketla! Library at the historic Drill Hall in Joubert Park have on several occasions been wheeled out onto the street.

A number of young South African artists, including the prodigy Nicholas Hlobo, are making waves in the international art world.