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/ 23 September 2008
Percy Zvomuya explores the tainted history
of a dye regaining its lost glory.
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/ 4 September 2008
Niren Tolsi yawns his way through an exhibition
that fails to interrogate Gandhi’s legacy.
<i>In The Wretched of the Earth</i>, Frantz Fanon explains that improvement of the human condition demands true inventions.
The personal narratives by 23 women, including the book’s compiler Marlene le Roux, are accompanied by Lucie Pavlovich’s fashion photographs.
Photographer Graeme Williams explains the process that led to his series, The Edge of Town, about society’s outer limits.
South African photographer Alistair Allen has made
it big in Britain by hobnobbing with London’s beautiful people, writes Jeremy Kuper.
Sello Motseta reports on the new opera house in Gaborone, a tribute to Alexander McCall Smith’s famous Mma Ramotswe.
Kay Hassan’s current exhibition at the JAG dispels the myth that his oeuvre is mostly two-dimensional, writes Anthea Buys.
Artist Lolo Veleko speaks to Kwanele Sosibo about the meaning of Wonderland.
Eastern philosophies of Islam come face to
face with Western lifestyles in a new exhibition by Capetonian twins. Yazeed Kamaldien reports
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/ 9 November 2007
Douglas Curran’s exhibition documents the secret world of the Nyau spiritual culture, writes Anthea Buys.
The fabled world of a mystical brotherhood comes alive at a Jo’burg gallery, writes Matthew Krouse.