Judy Seidman responds to Athi Mongelezi Joja’s expanded assessment of her ‘Drawn Lines’ exhibition
The Mail & Guardian apologises to the artist for the errors of fact and aspersions attributable to our lapses of process
In this response to Judy Seidman, Njabulo Zwane defends a Black Radical Tradition of refusing the notion of work itself
Judy Seidman responds to Athi Mongezeleli Joja’s review of her exhibition with some reflections on the praxis of the Medu Art Ensemble
Judy Ann Seidman’s retrospective shows the complicity of antiblack racism in the white left
A Black Aesthetics as being uninventive and politically questionable
Athi-Patra Ruga’s National Arts Festival show brings to mind a neo-avant-gardist catwalk display or an opening act for Lady Gaga, writes Athi Joja.
An exhibition of works by well-known artists and newcomers at Gallery Momo liberates the viewer.
The award-winning duo have put together a thought-provoking exhibition highlighting society’s tendency to perceive Muslim men as one and the same.