Brett Murray speaks about the shift in the work that appears on his new exhibition This content is restricted to registered users and subscribers. Get Your Free Account The Mail…
Kicks and pricks aside, can Brett Murray’s work ever be read ignoring the brouhaha his Spear painting caused? The short answer: Maybe.
The trial of Louis Mabokela, accused of vandalising the Jacob Zuma ‘The Spear’ painting, has been postponed in the Hillbrow Magistrate’s Court.
The Loom of the Land shows South Africa through the eyes of more than 20 artists, but the exhibition’s politeness may leave art lovers unsatisfied.
An artwork from Brett Murray’s controversial "Hail to the Thief II" exhibition has been snatched up by hip-hop royalty Sean "Puffy" Combs.
The Film and Publications Board cannot ban online images, an appeal tribunal told it this week.
The reaction to a new painting of President Jacob Zuma with his genitals exposed has been banal but in an interesting way, Eusebius McKaiser has said.
The Goodman Gallery has appealed a ruling that children should be protected from the ‘Spear’ painting, saying the FPB does not have the authority.
Songstress Simphiwe Dana pens a letter to City Press editor, Ferial Haffajee, on the role "The Spear" had in dehumanising black people.
The political tsunami generated by "The Spear" has begun to subside, so there is some relative calm in which to assess the consequences of the outcry.
The heavy-handed response to the Brett Murray’s painting raises the ominous spectre of the state silencing dissent, writes Anne McClintock
The battle against the controversial "Spear" painting moves to the streets as thousands of ANC supporters prepare to march on the Goodman Gallery.
City Press editor Ferial Haffajee says the ANC is no longer a party of ideas and debate.
Described as "a sensitive man" by Nelson Mandela’s lawyer, Gcina Malindi is the anti-apartheid activist now best known for his tearful breakdown.
Rory Bester believes that the violent outrage at Brett Murray’s painting of Jacob Zuma is as unsurprising as Murray’s work itself.
