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Catherine Shoard

‘Predator’ Woody Allen faces renewed abuse claim
Article
/ 3 February 2014

‘Predator’ Woody Allen faces renewed abuse claim

Woody Allen’s former adopted daughter Dylan Farrow has spoken out for the first time over claims that Allen sexually assaulted her when she was seven.

By Catherine Shoard
No silver lining for films nailed in limbo
Article
/ 1 December 2012

No silver lining for films nailed in limbo

Capitol had a fine run of cinematic hits. And then it all went wrong.

By Catherine Shoard
Gently swimming upstream
Article
/ 26 April 2012

Gently swimming upstream

After <em>Chocolat, What’s Eating Gilbert Grape? </em>and <em>The Cider House Rules,</em> Lasse Hallström moves on to the fish course.

By Catherine Shoard
Closing in on a movie dream
Article
/ 13 April 2012

Closing in on a movie dream

Glenn Close’s new film about a cross-dressing butler has been almost 30 years in the ­making.

By Catherine Shoard
Gender bender unsettles and affects
Article
/ 23 March 2012

Gender bender unsettles and affects

Glenn Close has been trying to get a film of <em>Albert Nobbs</em>, George Moore’s novella set in the 1800s, off the ground since 1982.

By Catherine Shoard
No more business for monkeys
Article
/ 12 August 2011

No more business for monkeys

<i>The Rise of the Planet of the Apes</i> blockbuster reboot is out this week. <b>Catherine Shoard</b> revisits the history of primate films.

By Catherine Shoard
Rubik’s Cube is a natural blockbuster
Article
/ 23 November 2010

Rubik’s Cube is a natural blockbuster

As the career of Steven Seagal shows, Hollywood has a track record of breathing life into apparently inanimate objects.

By Catherine Shoard
No image available
Article
/ 6 July 2010

Faith-based films in viewers’ good books

You don’t need to show Jesus on the cross to make a hit religious film. In fact, you don’t need that much religion at all.

By Catherine Shoard
No image available
Article
/ 19 February 2010

Big Easy back on celluloid map

Louisiana is the third-most popular state in which to shoot a film in the United States, thanks chiefly to huge tax incentives.

By Catherine Shoard

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