There are greater levels of transparency, security and ownership rights, and this has transformed the traditional art market
The bourse has never looked so vulnerable with many companies delisting and few new entries.
The metric of success for Vulane Mthembu’s Nguni Machina won’t be how many people stream it, but if listeners can’t tell if the music was made by artificial intelligence
An exhibition of Matthew Krouse’s underground films reveal an agitator awed by the tradition of ‘dirty queens’