Not only the subject, but also the approach and concerns of two renowned photographers lend weight to a new combined exhibition.
A comprehensive retrospective of Santu Mofokeng’s work deserves a better showing at the Wits Art Museum.
Rory Bester believes that the violent outrage at Brett Murray’s
painting of Jacob Zuma is as unsurprising as Murray’s work itself.
Award-winning artist Michael MacGarry’s exhibition uses parody to slice through layers of meaning.
When Ross Douglas was researching international art fairs he realised a local iteration needed a special project
Willem Boshoff’s self-assigned role as a druid gives him the space to take on major social issues.
Kentridge explains the planning — and the role of the unplanned — in his latest collaboration.
A new Walter Battiss exhibition that includes never-seen drawings brings in millions — and makes interesting links.
Michael MacGarry’s new solo show is sharp-witted and playful, but also just serious enough to be startlingly poignant.
There is a concurrence of three substantial photographic projects that delve into the complexities of the Border War in southern Angola.