William Kentridge discusses his love of music, his fusion of art and opera, and the ?spin-offs from that.
William Kentridge’s production of <em>The Nose</em> at the New York Metropolitan Opera is an exploration of the operatic form itself.
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/ 4 February 2009
Some would call Kentridge’s extensive pre-emptory delivery of material simulacral, others would call it a gratuitous tease.