African Jazz

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Dear, Mom: Mombathise is an ascension song. Simphiwe Dana says it is for her late mother: ‘a song to tell her to go and rest and be at peace.’ Photo:
Supplied

Simphiwe Dana sings the room into stillness

Moya is her quiet insistence that excellence, faith and African high art can hold grief without spectacle

Moving people: Congolese-born musician Tresor will bring his 10-piece band to the Joy of Jazz festival in Joburg this weekend. Photo: Supplied

‘I Want People to Dance’: Tresor Talks Music, Legacy and Joy of Jazz

Tresor reflects on a decade of award-winning African pop, his groundbreaking collaborations with Drake and Hugh Masekela and the music that inspires him today

Blowing them away: Cape Town-born, and educated at UCT and The Juilliard School in New York, this year’s Standard Bank Young Artist Award for Jazz winner, trombonist Siya Charles, will perform at the Joy of Jazz Festival in Joburg later this month. Photo: Mark Wessels and Daniel Song

Musician Siya Charles is breaking brass ceilings

The 2025 Standard Bank Young Artist for Jazz reflects on her beginnings, her inspirations and her vision for South African jazz

Talking in tongues: Cape Town musician Lumanyano Mzi will be touring in South Africa after a spell in the US. Photo: Henry Schulz

Lumanyano Mzi: From Cape Town to the world

Cape Town prodigy Lumanyano Mzi returns home to share the musical flair that carried him to global stages

Sun Xa Experiment: Merging ancestral rhythms and afrofuturism in Soweto’s music scene

The avant-garde music transcends boundaries, blending healing sounds and community roots

Although Wadada Leo Smith’s music was, in the words of American critic Adam Shatz, “less encumbered by traditional song forms”, it evoked a “pastoral modernism: spacious, serene, and in no hurry to reach its destination”. (Tom Beetz)
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Bridging the black Atlantic in jazz

The collaboration between Thomas Mapfumo and Ishmael Wadada Leo Smith, broke new ground and should have grown cult status

(Reza Khota)

A repository for jazz historians

In the face of dwindling writing about South African jazz, bassist and composer Carlo Mombelli’s new offering is a repository for future historians.

Serious yet content: Ayanda Sikade was coached by maestro Zim Ngqwana

Drummer Ayanda Sikade unearths the lost gem ‘Movements’

It took years for Ayanda Sikade to release the album Movements, which secures his place in the jazz idiom

Ntate Philip Tabane also known as Dr Malombo at his home in Mamelodi

Dr Malombo fought to keep his music in a genre of its own

One thing Philip Tabane left us remains definite: that it is possible to influence others as much as it is possible to learn from them.

The sound of silence: Nduduzo Makhathini.

Folly to call mastery arrogance

A chance comment about Nduduzo Makhathini reveals the ignorant disdain in which many people hold those who succeed

Mulatu Astatke performs at the Berklee College of Music Commencement Concert in Boston
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Keep walking: Mulatu Astatke remains a musician in motion

The Ethiopian jazz master continues to attract attention with his very own blend of Ethio-Jazz

Early days: A young Hugh Masekela with Lionel Pillay on piano rehearsing in the early 1960s

Farewell to my childhood

The distinct voice full of charm and realness is gone. But there is still so much music, enough music to heal us and teach us for lifetimes to come.

Going to print

Print, publish, distribute

Coming to grips with this moment of disillusionment means finding new ways to use our voices

Baleka Mbete.

Letta and Caiphus: Still watering the tree of uhuru

Letta Mbulu and Caiphus Semenya are finally signing off on a project that’s been in the making for 20 years

Singer-songwriter and guitarist Ray Phiri is hooked on reinvention

Many rivers for Phiri to cross

Stimela’s beloved storyteller constantly indulged his thirst for learning and his quest for meaning.