Ronnie Govender’s autobiography shows he is a triple-threat man — in sports, the theatre and literature.
Anton Krueger assesses <i>Do South Africans Exist? Nationalism, Democracy and the Identity of ‘the People'</i> by Ivor Chipkin (Wits University Press).
Brent Meersman is transported into another world by Brett Bailey’s <i>Orfeus</i> at the National Arts Festival in Grahamstown.
Brent Meersman speaks to Acty Tang about linking the avant-garde with a broader social ethos.
Anton Krueger spoke to novelist and dramatist Craig Higginson about his second play, <i>Dream of the Dog</i>
The effects of the holy herb can be felt while reading the words of Thomas Pynchon, writes Anton Krueger.
Anton Krueger reviews PC Feller’s <i>Fall of the Leaf </i> and Montague Bentley’s <i>Wide Boy</i>.
A new breed of documentary writers is choosing candour and humour over authoritativeness, writes Anton Krueger.
Rian van Heerden sees his virulently opinionated show <i>Onbesny</i> as a form of therapy, writes Anton Krueger.
