Dillon Davie

Opera Africa is helping to keep the flame of opera burning in South Africa with its first offering for 2011, George Bizet’s <em>Carmen.</em>

South African flautist Wouter Kellerman, who has spent the past few years making a name for himself on international stages, returns with his new album.

Dillon Davie looks into <i>The Snowball: Warren Buffett and the Business of Life</i> by Alice Schroeder.

Two talented young classical musicians, violinist Marc Uys and harpist Jacqueline Kerrod, have joined forces, both personally and professionally.

Some preparation before heading into William Kentridge’s <i>The Magic Flute</i> is useful, writes Dillon Davie.

Dillon Davie speaks to Isak Roux, who is in town for the premiere performance of his <i>Coming Home</i> cantata at the Johannesburg City Hall.

SA flautist Wouter Kellerman’s <i>Colour</i> reflects the journey of a classically trained musician towards world music and jazz-informed improv.

Dillon Davie visits Cape Town where he finds Mozart on marimbas and Dickens set on Jo’burg mines.

Turkish composer Fazil Say returns to South Africa to perform in two concerts, writes Dillon Davie.

Miagi festival offers a classical treat, writes Dillon Davie