Mail & Guardian
Mail & Guardian

Gregory Maqoma

latest news & developments
Dance is music: Lighting by Oliver Hauser and set design by Willy Cesar foreground space, line and form.
Everything, Maqoma says, is architectural. Photo: Arthur Dlamini

Gregory Maqoma’s ‘Genesis’ is not an ending

The renowned choreographer returns to the Baxter not as performer but architect, with Genesis, a daring meditation on beginnings, endings and Black consciousness

Dear, Mom: Mombathise is an ascension song. Simphiwe Dana says it is for her late mother: ‘a song to tell her to go and rest and be at peace.’ Photo:
Supplied

Simphiwe Dana sings the room into stillness

Moya is her quiet insistence that excellence, faith and African high art can hold grief without spectacle

Set in 3025, Cape Town Opera’s Aida reinvents itself for a new generation but the voices and the music remain timeless

Aida Reimagined: A galactic opera for the ages

Set in 3025, Cape Town Opera’s Aida reinvents itself for a new generation but the voices and the music remain timeless

Save the last dance for me: Renowned South African dancer and choreographer Gregory Maqoma says the most important thing in his work is the audience. Photo: Marijke Willems Photography

Gregory Maqoma: Dancing so his soul might soar

The dancer talks about his career and inspiration as he hangs up his shoes — again

Striking: Cion: Requiem of Ravel’s Bolero was choreographed by Gregory Maqoma.

Diary: Requiem of Ravel’s Bolero, BMW Art Generation, live scores to silent films

Your essential dose of art and culture

In the spirit: Greg Maqoma says spirituality is important to him because it is closely linked to dance. Photo: Arthur Dlamini

Gregory Maqoma says farewell at the top of his game

Fit and fabulous at 50, Gregory Maqoma is leaving the stage but he is still a force in dance

Autobiographical stories aim to inspire youngsters

Gregory Maqoma celebrates his 50th birthday on 16 October, with the two books part of his legacy projects

Gregory Maqoma: ‘The dance bug never left me’

An excerpt from the memoir of Gregory Maqoma, multi-award-winning dancer and choreographer

Big step: Greg Maqoma is retiring as a dancer but he will continue to teach and choreograph. Photo:  Arthur Dlamini

A new stage for Gregory Maqoma, a dancing great

Artists and friends describe Gregory Maqoma as a selfless and kind-hearted person who contributed a great deal towards their success

Msaki performed a series of concerts at the festival.  (Photo by Gallo Images/Oupa Bopape)

Arts fest is duct-tape for our broken times

This year’s National Arts Festival provided alternative light in a gloomy time

Gregory Maqoma. Photos by Mark Wessels

Gregory Maqoma’s emotional last dance

This was his faultless dancer’s farewell to a festival which he has also graced as a choreographer and innovator

A stage, a graveyard, a place of mourning. Image: John Hogg

The endless darkness of mourning: ‘Cion: Requiem of Ravel’s Boléro’ returns

A tour de force of 20 dancers from Gregory Maqoma’s Vuyani Dance Company, and 18 singers as fellow mourners, Cion unpacks the centuries of incessant mourning by black people

Jaedon Daniel and Page collaborate in a virtual show combining poetry and music

Don’t Miss: Our weekly round-up of virtual and in-person events

From the virtual Fak’ugesi African Digital Innovation Festival to live theatre back on stage at the Baxter in Cape Town, we’ve got you covered

‘Lesedi’: A bright star alights on Lulu Mlangeni

On stage hers is the powerful body always rippling with refined movement quality. Thanks to the documentary film on the vNAF programme, we learn that off stage Lulu Mlangeni’s as…

Life/death/life: Cion: Requiem of Ravel’s Boléro includes members of the Vuyani Dance Company and is choreographed by Gregory Maqoma, for whom the repetition in Boléro invokes a sense of a procession . (Delwyn Verasamy & John Hogg)

A requiem for the world’s dead

Gregory Maqoma revives a Zakes Mda character, mixing Ravel’s Boléro with isicathamiya to mourn, to hope, and to celebrate life