Paul Weinberg

With most photographers struggling to raise capital to digitise work, those that have managed to do so have mostly used their own resources

An exhibition at the Origins Centre attests to the humanity of its anonymous subjects and their hopes, dreams and glowing self-esteem.

From Hugh Exton’s portraits to images of Marikana, an exhibition that remembers the Land Act also pays tribute to socially conscious photography.

Using words to convey the experience of visiting a photo exhibition means converting the event into a different currency of communication. But the coinage of text can’t recreate…