Stevenson Art Gallery
latest news & developments
The Weekend Guide
For good vibes and an arts fix, don’t miss this
Nakanjani, Dada Khanyisa’s got a good feeling
Artist Dada Khanyisa on responding to the opportunities that their practice offers them, by all means necessary
Dust, beauty and geography combine in Moshekwa Langa’s Tropic of Capricorn
Moshekwa Langa’s Tropic of Capricorn is a graceful reflection on time and place
In the world — but not of it
Portia Zvavahera uses her dreams and experiences to create her otherworldly works
Fictive world is not escapist
Simphiwe Ndzube’s solo show in Cape Town offers no easy answers to deracinated utopias
She fights for artists’ rights
The curator cum activist understands creatives’ struggles and is working to rectify this situation
Both physical presence, and authenticity
It is hotly debated in many circles whether white gallery walls can ever become truly inclusive and evolved
Mame-Diarra Niang: A soul turned inside out
Three reflections capture the change of artistic mode after visiting Senegalese-French artist Mame-Diarra Niang.
Who no know
Three reflections capture the change of artistic mode after visiting Senegalese-French artist Mame-Diarra Niang.
Mame-Diarra Niang’s vision for the invisible
Three reflections capture the change of artistic mode after visiting Senegalese-French artist Mame-Diarra Niang.
Brave Beauties and the dark Lioness
If beauty is a joy forever, so it is with the photos jumping out of whitewashed gallery walls
Moshekwa Langa and the mass of a poem
Artist Moshekwa Langa’s own life inspired his latest installation, which speaks to "hidden histories".
Stevenson Gallery curates SEX in the city
The SEX exhibition attempts to unpack sex through a timeline of events that took place in South Africa in the past decade.
Writing’s on the wall for Robin Rhode
Now based in Berlin, South Africa’s ‘poet of street art’ is back home with an exhibition that signals his intent to keep ‘flipping’ the art world.
The politics of colour in art
The discourse about colour in art ignores the uncomfortable sociopolitical ramifications of race.