Michelangelo’s statue David may be clean in time for his 500th birthday this year, but experts are concerned that his left ankle may not be strong enough to keep him standing forever.
A team of experts at Bologna University has begun analysing tiny cracks in the marble masterpiece’s left ankle since restoration work began on the statue last September.
”The ankle is weak,” said Franca Falletti, director of Florence’s Galleria dell’Accademia, where the statue is housed. ”It’s a problem we need to watch closely.”
Analysts are able to study the exact size and depth of the cracks now that more than a century of grime and wax deposits have been gently brushed and sucked out of the statue’s ”skin”.
David’s melancholy pose, with his left leg bent at the knee, makes his left ankle perhaps the only design fault in this figure of male perfection, clearly strained by the 5 572kg of marble above. Most of the cracks are thought to have developed before 1873, when the statue was brought indoors after standing for more than 350 years in Florence’s Piazza della Signoria.
Although the cracks do not pose an immediate threat, digital analysis will help to determine whether scientists can intervene in future to help strengthen David’s weakest points.
Meanwhile David’s hair, which had been encrusted with black deposits left by pigeons over the centuries, has been restored to its original white. Wax, dust and grime have been lifted from his left side and work on his other half is expected to finish by the end of May.
Critics have argued that the multi-million pound clean-up, the first since 1843, is a purely commercial affair, designed to give the famous statue a new lease of life and inspire a spate of glossy and expensive new guide books for the one million-odd tourists who are expected to visit during what is the 500th year since he was unveiled.
A senior member of the restoration team, Agnese Parronchi, quit last year rather than use a cleaning method that she feared would harm the statue.
Spain’s Prado art gallery has discovered two sketches by the Renaissance master Michelangelo in its art stockroom, it was revealed yesterday.
The modest drawings of a shoulder and a man’s arm are studies for the Last Judgement painted on the altar wall of the Sistine chapel in the Vatican, Gabriele Finaldi, associate director for the Prado collection, said.
They were part of a set of eight drawings donated to the museum in 1930 which, although thought to be associated with the Renaissance master and his school, had never been studied or published, he said.
The two pieces were identified by experts as the Prado prepared for an exhibition of 16th century Italian drawings. A further six drawings were probably by members of Michelangelo’s school, the experts told the museum. – Guardian Unlimited Â