Ai Weiwei: Pricking your conscience

After the vast emptiness of ­the Tate Modern’s Turbine Hall, Ai Weiwei this week filled a London space that could hardly be more of a contrast: a white cube that measured precisely 40cm by 40cm by 40cm.

The Chinese artist’s work, a cactus and a crab, went on display for a month at the Pippy Houldsworth gallery in London.

“It is a very exciting moment for us,” said Houldsworth. “We want to do anything that can help him and anything that can help get his ­message across.”

Ai is prevented from leaving China by the authorities, but is out of jail following his release last year. He was jailed for three months on suspicion of “economic crimes”, although his family and supporters said it was in retaliation for his social and political activism.

He is keen for people to make their own interpretation of his latest work, called A Living Sculpture, but it is hard not to see parallels between the piece and Ai’s situation.

There is the living cactus — hardy, resilient, prickly — surviving in a confined space under the glare of a spotlight. Then there is the crab, with its nasty claws, making a move on its spiky partner.

The gallery has had to procure the cactus, an Echinopsis, which turned out to be more time-consuming than expected.

“It was not that easy at all,” said the gallery’s Carsten Recksik, who spent a large part of last month on the telephone trying to find a suitable specimen.

“Ai was very specific on the variety. I called dozens, hundreds of garden shops. I am not really into plants, but I am a bit now.”

The result is a 15-year-old cactus, they think.
“It’s difficult to tell,” said Recksik.

The space is a black incision in the wall in which there is a suspended, brightly lit box.

“We commission emerging and established artists to do whatever they want in the box,” said ­Houldsworth.

Ai, who is a cacti collector, came to the attention of the wider British public when he filled the Tate’s Turbine Hall with millions of life-size porcelain sunflower seeds.

His work will also be on display in the next few months when he designs the Serpentine Gallery pavilion with the architects Herzog & De Meuron, with whom he collaborated to design the Bird’s Nest stadium for the Beijing Olympics. —

We make it make sense

If this story helped you navigate your world, subscribe to the M&G today for just R30 for the first three months

Subscribers get access to all our best journalism, subscriber-only newsletters, events and a weekly cryptic crossword.”

Mark Brown
Professor of Political Economy at Brown University. Author of Austerity: The History of a Dangerous Idea, & Great Transformations. Mark Brown has over 27644 followers on Twitter.

Related stories

WELCOME TO YOUR M&G

Already a subscriber? Sign in here

Advertising

Latest stories

One Movie, Two Takes: Hustle

You don’t have to be a basketball fan to enjoy this new Netflix sports drama

WATCH LIVE: 200 Young South Africans 2022

M&G will showcase SA’s most versatile, innovative young professionals to inspire, ignite and prepare upcoming youth for a new world

Banning abortion criminalises femininity as it does race and poverty

Unpacking the reversal of Roe v Wade and the ruling in Dobbs v Jackson reveals a pushback against gains made by women

Flying the flag for the youth

Emmy-nominated actress Thuso Mbedu credits inclusivity, equality, and sustainability to getting her career to where it is today. As a Mail & Guardian Top 200 Young South African, the actress encourages the youth to collaborate for a better future
Advertising

press releases

Loading latest Press Releases…
×