The imagining of a friendship between Sol Plaatje and Cecil Rhodes feels particularly relevant right now.
After escaping the Nazis in Poland, it took Irene Klass 70 years to return to the ghetto and her home. This is her story.
Inspired writing, direction and acting make for a resonant drama that does not put a foot wrong.
Here’s our indepth round-up of the highlights from the Dance Umbrella programme this year.
Choreographer Constanza Macras who staged the celebrated "Hell on Earth" at the Dance Umbrella six years ago, is back again with a new production.
The Dance Umbrella has been reconstructed and this year’s offerings enhance the genre’s dimensions.
Dancer and choreographer Mamela Nyamza has pushed through the limitations of dance to find her own path in the discipline.
An exhibition at the Origins Centre attests to the humanity of its anonymous subjects and their hopes, dreams and glowing self-esteem.
Creating tapestries that successfully capture the essence of the artworks they are based on takes years of experience and skill, writes Robyn Sassen.
The acclaimed artist offers an intriguing insight into some of the observations and unsettling realities that define his work methodologies.