In his National Arts Festival Winter School lecture this year, <i>30 Years On: The Legacy of Steve Biko</i>, Barney Pityana -- a friend and intellectual confrÃ¨re of Biko -- dexterously balanced the personal and the political, and eloquently demonstrated why the former so often constitutes the latter.
Barney Pityana spoke to Steve Biko for the last time on August 15 1977. A few hours later, Pityana was arrested. It was alone in his cell some time later that Pityana learnt of Biko’s death, reading in a newspaper wheedled from his guard the chilling pronouncement of justice minister Jimmy Kruger that Biko’s death ”leaves me cold”.
In his National Arts Festival Winter School lecture this year, 30 Years On: The Legacy of Steve Biko, Pityana dexterously balanced the personal and the political, and eloquently demonstrated why the former so often constitutes the latter. As a friend and intellectual confrÃƒÂ¨re of Biko, and a fellow leader in the Anglican student movement and the South African Students’ Organisation (Saso) that Biko propelled into life, Pityana is uniquely placed to shed light on the foundations and formation of Biko’s thinking.
Yet, it was remarkable to hear Pityana note that this was the first such presentation he had been invited to give. Pityana — now vice-chancellor and principal of the University of South Africa — offered an incisive primer into Biko’s influences, interactions and legacy, as well as acknowledging Biko’s influences on him.
He said Biko introduced him to writers such as Fanon and Malcolm X and ”a wide range of political situations outside South Africa”. Biko offered the young Pityana ”particular ways of looking at South Africa” as well as ”a consciousness of self and possibilities”.
Biko’s ”maverick interpretation of colonial and missionary history of South Africa” was the precursor to his critique of the missionary churches in his I Write What I Like essays.
Crucially, ”Black consciousness began to be conceived within the womb of the religious societies and organisations; this is a very significant factor that gets lost.” In passing, Pityana noted an analogous omission, in Luli Callinicos’s biography of Oliver Tambo, where there is ”no acknowledgement of the formative influence of religion on Oliver Tambo”.
Pityana’s despair about the state of the Anglican Students’ Federation, of which he was president, was to bring him and Biko together as founding ideologues and roommates. Invited to a Saso conference in what was then Natal, Pityana was surprised to learn that he was to be elected Saso president, as arranged by Biko. It turned out that Biko wished to concentrate on his studies, and thought Pityana’s expulsion from the University of Fort Hare was a fortunate conjunction.
The upshot was that Pityana did not take up the scholarship waiting for him at Durham University, instead staying on to share Biko’s room for a year.
”He had infectious enthusiasm and loyalty to all of us,” said Pityana. ”Every issue was under debate through long nights. This was the formation of ideas. After discussions, when everyone had gone off to sleep, he would write out the results, which became the papers in I Write What I Like.”
What is telling about Pityana’s recollections is the collective nature of the endeavour. ”I think this is what leaders do. Ideas are shaped and formed by a collective; they are never the product of a single person.”
Indeed, such was the nature of the inquiry into the fundamentals of black consciousness that Biko’s cadre had extended dealings with Rick Turner — later assassinated by the apartheid regime — and his acolytes, among them Halton Cheadle and Charles Nupen.
”There was a group around Rick Turner who considered themselves radicals. The discussions with them were very important. We said, ‘White people cannot fight the struggle for us. The time for white liberals is gone.’ As a young black group, we were very clear on how whites diminished the struggle of black people. But we were still very appreciative of the intellectual discussion.”
The result of this contestation resulted in the ”main idea” of the black consciousness movement: ”That it is oppressed people themselves who will be active in the struggle for their liberation.”
”We had to stop those speaking on our behalf — the liberals in Parliament and the newspapers. Liberals … could not think beyond the manifestation of evil, couldn’t think that black people had a vision for the country. We said, ‘Black consciousness does not end with apartheid. It begins with it.”’
Pityana said that his favourite Biko essay, Black Consciousness and the Quest for Humanity, provided ”the moral framework for a future South Africa” with its notion that ”something about being free people, liberated people, is inherent in us”. The essay was a counterpoint to prevailing apartheid and liberal dogmas in showing that ”black people had discernible visions and workable strategies”.
Pityana brushed aside ”silly” speculation of whether Biko would have been South African president had he not been murdered. But he did speak at length on Biko’s legacy. Most important were his ”humanity, a level of inherent trust in our people to cure, the possibility to think beyond what confines, and the possibility of humanity”. Black consciousness ”produced a cadre not bound by finance and structures, and pushing the bounds of possibility”.
Elaborating on the personal, Pityana pointed out Biko’s ”loyalty to friends and capacity to bring out the best in you, not because he was better than us; often he was worse”.
Next was Biko’s way of ”listening and engaging, enabling others to express their own thinking and ideas even if they were way beyond you and your thinking at the time”. This sensitivity, Pityana argued, was akin to Amartya Sen’s definition of the intellectual: to give voice to those who don’t have, to give effect to the inner minds of others and to what they need in their lives.
”Consciousness is not sufficient in itself. It must be manifested in making people’s lives better,” he emphasised.
Then there was Biko’s capacity to develop and deliver critiques independent of prevailing norms. ”Our post-liberation national consciousness and culture needs to be independent in outlook and critique,” said Pityana. ”But it must also be unselfish to look beyond ourselves and see what can be done collectively.”
This collective galvanisation is key to two ”big questions” that Pityana raised, and which he believes can be addressed by applying Biko’s ways of thought and action.
The first question is how South Africa can develop an education system to rival that of Zimbabwe, which ”holds together even now”. Pityana declared that ”philanthropy is not a dirty word” and added, in a riff on Marx, ”it is just taking out of what you have and giving to others”.
The second question is about leadership. Pityana asserted that those who went to Saso formation schools have a better idea of society, and that dedicated training of leaders is essential for South Africa. In focusing on leadership, Pityana perhaps touched on the very question that he had earlier declined to discuss. By noting what might be missing in the echelons of contemporary South African leadership, he reminded his audience of what could still be: collective South African humanity thinking beyond confining neo-liberal structures.
This report was first published by Cue, the National Arts Festival’s newspaper and website