Traditional healing and drama art may not typically intersect, but they do have a connection.
Miles Davis biopic is another example of a black artist’s legacy used as Hollywood fodder.
Both are icons of peace, both resisted oppression, both fought for their belief. Mandela took to violence and Mahatma had to shed his caste prism.
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Loaded with vivid but delicate passages and complex situations, Pleasure explores its multifacetedness.
Four years ago, a painting of Zuma got half the country up in arms. This year, another one is hardly commented on.
Mabulu has painted President Jacob Zuma licking the anus of a naked Atul Gupta, the two captured in an aircraft cockpit with an ANC flag on the side.
The maskandi artist’s tactic of sparking ire and then appeasing through song continues today, but he is no longer the ANC’s go-to guy.
SA’s newsrooms, fraught with unseen booby traps, are often stifling, with dinosaurs at the helm, writes Kwanele Sosibo.
Yolisa Qunta has put together a host of young voices to express their views of post-apartheid SA, but something is missing.