Anton Kannemeyer

 
Bopape rattles biennale cage
Bopape rattles biennale cage
Berlin is celebrated as a city that understands contemporary art. Its institutions are not just functional but pristine, and have programming...
Bitter bites the hand that feeds
Bitter bites the hand that feeds
Two decades of sedition and subversion, and the comic anthology Bitterkomix has found itself firmly entrenched in the suburbs.
Documents of fictionalisation
Documents of fictionalisation
In 1919, as Johannesburg lurched closer towards a full-blown proletarian revolution, painter Robert Gwelo Goodman appealed to local artists to...
Anton Kannemeyer: Subdued satire is the new shocking
Anton Kannemeyer: Subdued satire is the new shocking
I walked into Anton Kannemeyer’s latest solo exhibition, Paintings and prints for doctors and dentists, half expecting to be slapped...
[Slideshow]Anton Kannemeyer: The other side
[Slideshow]Anton Kannemeyer: The other side
Anton Kannemeyer is best known for satirical works that tackle politics, sex and race. But with his new exhibition, he has changed direction.
Denying the privileged a voice
Denying the privileged a voice
A double-page spread was devoted to Khwezi Gule's review of Anton Kannemeyer's Pappa in Afrika, and for that much attention any artist...
Just 'cause you feel it doesn't mean it's there
Just 'cause you feel it doesn't mean it's there
Is Anton Kannemeyer's new Bitterkomix collection, Pappa in Afrika, flagrantly racist or is it a lament for a continent ravaged by centuries...
Newsroom wall of fame
Newsroom wall of fame
We swung through the M&G newsroom to see who owns what and discovered that, if combined, our staff could hold a respectable exhibition....

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