Anton Kannemeyer

The South African artist’s new film about a rape challenges the curators and concepts of art

It’s been five years since their last appearance, but Konradski and Joe Dog are back: older, a little more jaded – and with fewer penises.

The Loom of the Land shows South Africa through the eyes of more than 20 artists, but the exhibition’s politeness may leave art lovers unsatisfied.

Mpho Moshe Matheolane reflects on Kannemeyer’s new show, which offers gentle, contemplative work, rather than the artist’s usual satirical attacks.

If racial privilege disallows unbiased commentary, how is a white artist supposed to critique a multiracial nation without being considered racist?

Is Anton Kannemeyer’s <i>Pappa in Afrika</i>, flagrantly racist or is it a lament for a continent ravaged by centuries of colonial rule?

We swung through the <em>M&G</em> newsroom to see who owns what and discovered that, if combined, our staff could hold a respectable exhibition.