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Cartoonist Jonathan Shapiro reflects on his coming of age as the newspaper’s chief artist provocateur and slayer of sacred cows.
He has a comic’s timing, a journalist’s nose, an artist’s eye, a wordsmith’s ability to play with language and the courage to draw what he believes.
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Armed only with humour as a weapon, satire wages a brave but dangerous and, in the case of the Charlie Hebdo attacks, deadly war against censorship.
Cartoonist Zapiro says the shootings at Charlie Hebdo were not only an attack on the media, but on French society and secular societies more broadly.
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Ending a long relationship with Novo Jornal, the Angolan cartoonist is still full of provocation.
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