Get more Mail & Guardian
Subscribe or Login

The literary echoes of the Afro-modern

I encountered the term Afro-modern at the Open Book Festival in September when Cape Town was shedding those excess layers of winter. Coined by Nigerian writer Pwaangulongii Daoud in his story Africa’s Future Has No Place for Stupid Black Men, the term resonated with what captured my mood for 2018.

The story won the 2018 Gerald Kraak award and was published along with other stories and photographs exploring gender, social justice and sexuality in an anthology titled As You Like It.

What is exceptional about the Afro-modern is its radical unsettling of being a theory or a movement. It is that bold generation, as Daoud puts it “We are open space: Africa’s newest genre.”

His story details a gathering of the African intelligentsia who are “neither Afro-romantics nor Négritudes. They are not critics and insulters of white people or the other kinds of craps. Afro-moderns are interested in a non-romantic view of Africa. That’s how they hope to see it well, and thereby recreate it. That’s how to create its curricula, its new politics, its new arts and aesthetics, its new business, its new industry, its pluralities.”

Daoud articulates a rebirth of the African personality, put forth by Pan-Africanists and the multiple versions of it that did not trigger action in the eyes of those distracted.

Perhaps you are climbing up your first mountain. Maybe you have reached the zenith only to discover that there millions of mountains surrounding what you have overcome. But no matter in which direction you gaze, the idea of genre and the persistent need to defy genres is overflowing in every valley. Questions of where do you come from, how fixed or fluid is your identity, where are your papers?

Imprinted in pages so deeply rich and intentionally frayed at the edges, Africa and her diaspora have always shared a deep give-and-take across the waters. A sense of displacement and becoming whole is found in the debut novel by Akwaeke Emezi titled Freshwater.

When Freshwater was published at the beginning of this year, I pledged myself a hardcover copy because the cover artwork was by ruby onyinyechi amanze. Both the author and the artist have Igbo roots, and the reconstruction of liminal spaces feels like distant cousins uniting to discover that their superpowers harmonise. The two-headed snake curling around the book spine through watermelon pink smoothly captures the hopping between the spirit world and the flesh world. I wonder if the fictional character Ada, who exists in the multimedia and ethereal drawings of Amanaze, shares a relation with the Ada of Emezi’s story, which unearths hybridity in terms of genre and imaginative configurations.

A story told through the voices of Ada’s multiple selves, Emezi shifts between the use of “let me tell you” and “let us tell you”, speaking on behalf of one and many. Reminiscent of folklore and a patterned stream of consciousness, Freshwater reminds you to speak back to yourself. You will be gently (sometimes a little to tightly) reminded of past experiences and self-made memories in the coiling embrace of time. It’s like singing along to Big Big World by Swedish singer Emilia in 1998, when MTV was the place to hear new music.

Emezi reminds their readers to feed their gods, and involves us in a practice of narratively experiencing and telling our worlds. But fragmented your worlds may be, whether you document them with words or just let the thoughts run away, the Afro-modern is taking up space in your territories and on your tablets.

Take Efemia Chela, for instance, a Ghanaian-Zambian writer whose story Sailing with the Agronauts is also published in As You Like It. From the opening line your wig will be snatched: “Christmas is my straightest time of year …”. Welcomed with resounding laughter at her reading at the Open Book Festival, Chela allows us to gain an external perspective on our ways of knowing with low-key charm. It is the kind of story that requires tea refills and may provoke some interesting conversation about queerness this December when you flock home, leaving a part of yourself in another city.

Africa’s emerging literary voices are full of pluralities, reflecting what this generation performs and undertakes.

And never forget that beneath the emerging mountain is a relentless force allowing us to begin again and open up emancipatory futures through the written word.

Subscribe for R500/year

Thanks for enjoying the Mail & Guardian, we’re proud of our 36 year history, throughout which we have delivered to readers the most important, unbiased stories in South Africa. Good journalism costs, though, and right from our very first edition we’ve relied on reader subscriptions to protect our independence.

Digital subscribers get access to all of our award-winning journalism, including premium features, as well as exclusive events, newsletters, webinars and the cryptic crossword. Click here to find out how to join them and get a 57% discount in your first year.

Chaze Matakala
Chaze Matakala
African Studies Scholar & Visual Storyteller

Related stories

WELCOME TO YOUR M&G

If you’re reading this, you clearly have great taste

If you haven’t already, you can subscribe to the Mail & Guardian for less than the cost of a cup of coffee a week, and get more great reads.

Already a subscriber? Sign in here

Advertising

Subscribers only

Environmental groups welcome China’s pledge on coal

Will China’s end of coal finance be the final nail in the coffin for MMESZ?

More top stories

Environmentalists are trying to save South Africa’s obscure endangered species

Scientists are digging for De Winton’s golden moles, working on the mystery of the riverine rabbit and using mesh mattresses to save the unique Knysna seahorse

Shadow states infest Africa’s democracies

Two recent reports show evidence that democracy in Africa is being threatened by private power networks

The West owes Africa $100bn (at least) for climate recovery

In fewer than three days, a US citizen emits as much carbon as a person from Chad or Niger does in one year. Such is the asymmetry in culpability for climate change.

Environmental groups welcome China’s pledge on coal

Will China’s end of coal finance be the final nail in the coffin for MMESZ?
Advertising

press releases

Loading latest Press Releases…
×