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Nkgopoleng Moloi

Black liberation dreaming: Nolan Oswald Dennis’s digital essay game ‘a sun.black’

Nolan Oswald Dennis’s digitial essay game, ‘a sun.black’, keeps all options available as it examines decolonisation

‘Kartografi’: The testing of our boundaries

Scott Eric Williams's new art project challenges our ideas of mapping, moving into philosophical territory

Picking up threads from the cutting room floor

Lesiba Mabitsela’s multidisciplinary project interrogates the influence of modernity through examining the intersections between fashion and architecture

Black futures in the age of apocalypse

Curating the End of the World deploys Afrofuturism to respond to Covid-19, anti-black violence and capitalism

Can ‘The Nonrepresentational’ prove a new model for artists and galleries?

‘The Nonrepresentational’, created virtually through discussions between the artists and the gallery, seeks to build a new model of artist representation

‘There are Mechanisms in Place’: Collaboration births sacred text

‘There are Mechanisms in Place’, comprising text, poetry and visual analysis of Pamela Phatsimo Sunstrum’s practice, reveals how working together is a powerful philosophy

Review: ‘Making Grace Amazing’ — songs of resistance

Neo Muyanga’s ‘Making Grace Amazing’ is one of the online offerings at this year’s National Arts Festival in Makhanda

‘Soft Architectures’ leaps between mediums and modes

Soft power is often felt and almost always unseen. As a concept introduced by Joseph Nye in the early 1980s, soft power is thought...

Dust, beauty and geography combine in Moshekwa Langa’s Tropic of Capricorn

Moshekwa Langa’s Tropic of Capricorn is a graceful reflection on time and place

The fiction, fantasy and horror of ‘Joburg Selected’

The solo show by Sam Nhlengethwa explores the many sites and scenes of the city, caught in a loop of ambition and horror

See our history in buildings

The built environment is an important part of art and often lurks in the background

‘Five Bhobh’ is a taxi to the end of an era

The exhibition, by 29 Zimbabwean artists, uses the minibus taxi to explore the end of Robert Mugabe’s rule and the country’s future

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