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Nkgopoleng Moloi

Black liberation dreaming: Nolan Oswald Dennis’s digital essay game ‘a sun.black’

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Nolan Oswald Dennis’s digitial essay game, ‘a sun.black’, keeps all options available as it examines decolonisation

‘Kartografi’: The testing of our boundaries

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Scott Eric Williams's new art project challenges our ideas of mapping, moving into philosophical territory

Picking up threads from the cutting room floor

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Lesiba Mabitsela’s multidisciplinary project interrogates the influence of modernity through examining the intersections between fashion and architecture

Black futures in the age of apocalypse

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Curating the End of the World deploys Afrofuturism to respond to Covid-19, anti-black violence and capitalism

Can ‘The Nonrepresentational’ prove a new model for artists and galleries?

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‘The Nonrepresentational’, created virtually through discussions between the artists and the gallery, seeks to build a new model of artist representation

‘There are Mechanisms in Place’: Collaboration births sacred text

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‘There are Mechanisms in Place’, comprising text, poetry and visual analysis of Pamela Phatsimo Sunstrum’s practice, reveals how working together is a powerful philosophy

Review: ‘Making Grace Amazing’ — songs of resistance

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Neo Muyanga’s ‘Making Grace Amazing’ is one of the online offerings at this year’s National Arts Festival in Makhanda

‘Soft Architectures’ leaps between mediums and modes

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Soft power is often felt and almost always unseen. As a concept introduced by Joseph Nye in the early 1980s, soft power is thought...

Dust, beauty and geography combine in Moshekwa Langa’s Tropic of Capricorn

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Moshekwa Langa’s Tropic of Capricorn is a graceful reflection on time and place

The fiction, fantasy and horror of ‘Joburg Selected’

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The solo show by Sam Nhlengethwa explores the many sites and scenes of the city, caught in a loop of ambition and horror

See our history in buildings

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The built environment is an important part of art and often lurks in the background

‘Five Bhobh’ is a taxi to the end of an era

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The exhibition, by 29 Zimbabwean artists, uses the minibus taxi to explore the end of Robert Mugabe’s rule and the country’s future
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